![coherence movie trailer coherence movie trailer](https://media.aintitcool.com/media/_versions/2014/nordling/cohere_huge.jpg)
They unleash their multimodal potential of film trailers by tapping into the previous (genre) knowledge of trailer audiences, facilitating the cognitive uptake of audiovisual information for the audience as the trailer unfolds.
![coherence movie trailer coherence movie trailer](http://3.bp.blogspot.com/-5tLcreAcJug/VBmYlGxu3NI/AAAAAAAAEsk/NYjpJDBVDSE/s1600/coherence_766893623_n.png)
Results of this study confirm that both visual and verbal elements form recurring genre-specific patterns. This time we get more of a sense of the story and tension in.
#COHERENCE MOVIE TRAILER FULL#
To capture the verbal dynamics of trailer cohesion, the study explores the key semantic domains to which all lexical expressions in the trailer dialogues can be linked ( Rayson et al., 2004). Late last night, Oscilloscope debuted the full trailer for the creepy indie sci-fi Coherence, from writer/director James Ward Byrkit. It will be shown that the visual effects of this cohesive thrust can be tied to the cinematographic choices editors make in the opening shots of the trailer, by using specific shot scales, (types of) settings and (non-)human represented participants. Inside a self-compiled corpus of 150 genre-stratified US-American film trailers, recurring audio-visual, cohesive patterns are elicited. On the night of an astrological anomaly, eight friends at a dinner party experience a troubling chain of reality bending. While such work has primarily looked at the ways in which trailers realize persuasive functions ( Hediger, 2001, Maier, 2011 Krebs, 2020), this paper examines how the (audio-visual) representational choices made by trailer editors can provide narrative orientation for the film audience. Coherence hits VOD and theaters on June 20. Suffice to say that while the story’s revelations are diverting enough, the implications are sometimes chilling for the wrong reasons: The idea that we might be stuck in an eternal loop (or “roulette wheel,” as one character calls it) with some of the movie’s more insufferable characters - Mike with his boozy, knuckleheaded ideas, Beth with her feng shui and her ketamine-and-valerian cocktails - is indeed a disquieting one to contemplate.Recent years have seen a growing number of studies explore the narrative, persuasive and multimodal design of film trailers ( Maier, 2009, Maier, 2011, Wildfeuer and Pollaroli, 2017).
#COHERENCE MOVIE TRAILER SERIES#
Once more we find ourselves at a dinner party whose guests find themselves hard pressed to escape, thanks largely to complications provided by an invasive celestial body and a series of … well, to say more would spoil the modest fun.
![coherence movie trailer coherence movie trailer](https://123movie.date/images/tt2866360/backdrop.jpg)
There are playful early hints of what’s to come: Em shares a story about her past experience as a dancer that leads to a pointed conversation about parallel lives and stolen destinies Mike, it turns out, once starred on the sci-fi series “Roswell.” And in short order, accompanied by the foreboding shudder of Kristin Ohrn Dyrud’s minimalist score, the comet makes its big entrance, shutting down everyone’s cell phones and causing a massive power outage - a minor inconvenience compared with the Moebius-strip craziness of what happens next.Īlthough Byrkit confines his actors and his largely unscripted story to the house, “Coherence” soon reveals its true setting to be some nocturnal twilight zone located at the juncture of Luis Bunuel’s “The Exterminating Angel,” Lars von Trier’s “Melancholia” and Shane Carruth’s “Primer,” all superior exercises in cine-surrealism. Byrkit sets the scene and the table nicely enough, establishing a warm candlelit atmosphere of friendly chit-chat and vaguely discernible tension, even if his storytelling choices - overlapping dialogue, banal digressions, excessively wobbly camerawork, extreme closeups and jagged editing - at times strain too hard for authenticity.īut then, perhaps the fragmented indie roughness of it all - particularly the way editor Lance Pereira ends nearly every scene with an abrupt cut to black - is meant to signify a deeper rift in the film’s universe. 2 The film had its world debut on September 19, 2013, at the Austin Fantastic Fest and stars Emily Foxler as a woman who must deal with strange occurrences following the. Arriving one fateful evening at the cozy suburban home of acerbic actor Mike (Nicholas Brendon) and his affable wife, Lee (Lorene Scafaria), pretty Em (Emily Foxler) is the closest figure to a protagonist in a group that also includes her boyfriend, Kevin (Maury Sterling) older married couple Hugh (Hugo Armstrong) and Beth (Elizabeth Gracen) and the annoying Amir (Alex Manugian), who has thoughtlessly brought along one of Kevin’s exes, Laurie (Lauren Maher), as his date. (film) Coherence is a 2013 American surreal science fiction psychological thriller film directed by James Ward Byrkit in his directorial debut.